12 November 2009 The Guardian


By Neil LaBute. A Theatre Jezebel review.

AS we move from car to car in Neil LaBute's series of six two-handers, the road seems to get wider, the possibility of escape more remote and the conversation more disturbing. Performed for the first time in the UK by the newly formed Theatre Jezebel, the Autobahn journey starts off light with a sinister edge, and ends up plain sinister.

This is a sample caption