23 Jun 2017 The Guardian

Room to roam: how Scotland's vagabond national theatre broke free

A National Theatre of Scotland blog

FOR two or three centuries, national theatres have been based in grand culture palaces, with their colonnades, proscenium arches and chandeliers. For little more than a decade, the National Theatre of Scotland has been a theatre “without walls”. If you want to see an NTS show, you have to find it first. The idea takes a little getting used to, but the absence of a building is fundamental to how the organisation operates. Far from being a limitation, it can be artistically liberating. This company is shape-shifting. It can be what it wants.


11 May 2017 The Guardian

The 306: Day

By Oliver Emanuel. An NTS/Perth/Stellar Quines theatre review

ONE day last summer, thanks to the artist Jeremy Deller, silent soldiers from the first world war mysteriously appeared on UK streets like ghosts urging us to reflect on our collective past. Around the same time – and as part of the same 14-18 Now cultural programme – the National Theatre of Scotland presented The 306: Dawn, a tribute to those men who lost their lives during the conflict not as heroes but as “cowards”. Whether through fear, pacifism or trauma, they were soldiers who had fled their positions and paid the price at the hands of their own side. In the second part of his trilogy, playwright Oliver Emanuel brings us home, to the munitions factories, post offices and street corners of Britain, where a domestic army of women are keeping the country going. But these are not the happy workers of patriotic myth. Rather they are the bolshie agitators of a disenfranchised sex, the suffragettes and militants who know their worth, know they are being exploited and know the futility of war.




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