theatreSCOTLAND

theatreSCOTLAND: home of Scottish theatre

Latest articles:

tslogo3

Latest reviews are below; archive reviews are here. Follow the drop-down links above for actors, agents, companies, what's on and more.

 

HamletBrianFerguson

Guardian 29 September 2014

Hamlet

By William Shakespeare. A Citizens Theatre review.

SOMEWHERE at the back of the open stage, Ben Onwukwe, as the ghost of the old king, stands in silhouette beneath a fierce white light, his voice compressed and crackly like an analogue broadcast. Nikola Kodjabashia’s live score, a cacophony of strummed piano wire, open strings and rumbling percussion, has risen to a formidable volume. At the point of greatest intensity, the focus cuts abruptly to Brian Ferguson’s Hamlet. Downstage, warmly lit, with a sea of darkness behind him, it’s as if he’s stepped into the room with us.

KillJohnnyGlendenning

Guardian 25 September 2014

Kill Johnny Glendenning

By DC Jackson. A Royal Lyceum Theatre review.

ONE of last year’s biggest Scottish theatre hits was David Harrower’s Ciara, a monologue about a woman born into a Glasgow crime family and doing all she can to get out. With Kill Johnny Glendenning, playwright DC Jackson is in similar territory, only this time he plays it as farce. Where Harrower gave us a subtle meditation on the difficulty of cultural change, Jackson offers a Tarantino-esque bloodbath of violent excess and a script of machine-gun hilarity.

Guardian 22 September 2014

Still Game

By Ford Kiernan and Greg Hemphill

THE last time I saw Still Game on stage was at the Brunton in Musselburgh, a theatre with a capacity of 300. That was in the late 1990s and now, after six television series, sundry seasonal specials and a seven-year hiatus, Ford Kiernan and Greg Hemphill have built up the pulling power to play a 21-night run at the Hydro in front of 12,000 people a time.

Guardian 17 February 2014

Musicals We Love: Blood Brothers

By Willy Russell. A Liverpool Playhouse review.

IF you ask a class of drama students why they chose their subject, a majority will answer with an anecdote about seeing a heart-stopping production at a formative age. For me, Willy Russell's Blood Brothers wasn't exactly that (when I saw it at the age of 18, I'd already developed a theatregoing habit), but it did make a tremendous impression. If I'm calculating right, it was Friday 7 January 1983, and I'd managed to buy a ticket for a preview performance in the very back row, upstairs at the Liverpool Playhouse. It must have been the last seat in the house.

 

EdinburghFringefrontcover2

 

by Mark Fisher

Out now

Click here to order your copy

"Every single page of this book is enhanced by Mark Fisher’s lifelong enthusiasm for, and commitment to, the Edinburgh Festival Fringe – the greatest arts festival in the world."

Kath M Mainland

Chief executive, Edinburgh Festival Fringe Society

 

 

LATEST ARTICLES

2007-present

Scottish theatre blog

REVIEWS, thoughts and observations about theatre in Scotland.

2003-present

The Guardian

ARTICLES about theatre published in the daily newspaper and online

2006-present

The List

RECENT articles about theatre published in the fortnightly events guide.

1988-present

Mark Fisher

SAMPLE articles, reviews and CV by the writer, editor and theatre critic.

2005-present

Scotland on Sunday & the Scotsman

FEATURES on a range of subjects, plus some reviews.

1999-present

theatreSCOTLAND

REVIEWS, articles and extensive database about Scottish theatre.

2004-present

Variety

REVIEWS and news items about Scottish theatre in the US theatre bible.

theatreSCOTLAND © Mark Fisher 2009–2014

Home

feedicon28x28

This is a sample caption